ejecta projects

ejecta projects

  • PAST EXHIBITIONS
    • Cannibals of Love
    • A Tune, Subtle and Vast: Heidi Leitzke & Jon Weary
    • Art-N-Stuff V
    • Wade MacDonald: Lethal Lounge
    • Dragan Vojvodić: Persona and Her Shadow
    • FAILINGS
    • Nora Sturges: Things Not Seen
    • Art-N-Stuff IV
    • As Above So Below: Paintings by Robert Zurer
    • SCATTER TERRAIN
    • Art-N-Stuff III
    • WAYFARERS - what we create may save us
      • What We Save May Save Us - EXHIBITION CATALOG
    • Ron Lambert: Objects of Aesthetic Remorse
    • #ejectacollects
    • Panoramas: Ann Tarantino & Paul Manlove
    • Art-N-Stuff II
    • Ronald Gonzalez: Mortal Portraits/Scraps/Grotesques & Other Personas
    • UNSOLICITED SUBMISSIONS
    • Kate Stewart: Theta Resonance
    • Amy June Bates: Checking Out
    • Art-N-Stuff
    • HARD PLACES: Joy Drury Cox & Ben Alper
    • LONG LOST: Anthony Cervino
    • WHAT I ALREADY KNOW: Carley Zarzeka
    • VALEDICTION
  • SCATTER TERRAIN: Traveling Exhibition Prospectus
  • The Curious Cabinet
    • Jason J. Ferguson: artifact
    • Paul Shortt: Books 2012-2019
    • Lucy H. West: HUNGRY SPACEY DISTRACTED
    • Mitch Shiles: FEAST
    • IN THE PALM OF MY HAND: Ronald Gonzalez
  • ABOUT
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Suprematist Transmission
2015
photograph, performance

Bergen, Norway

Photograph by Ljiljana Maletin Vojvodić

 

Dragan Vojvodić carried a black square painting in the city center of Bergen, Norway to question the meaning and legacy of Kazimir Malevich’s revolutionary, abstract painting Black Square (1915). In each photograph, Vojvodić replaces the white background of Malevich’s painting with the cityscape. The city became a part of the image, and the same time, the artist inserted art into everyday space and city life.

Ejecta Projects

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