ejecta projects

ejecta projects

  • UPCOMING: Cannibals of Love
  • PAST EXHIBITIONS
    • A Tune, Subtle and Vast: Heidi Leitzke & Jon Weary
    • Art-N-Stuff V
    • Wade MacDonald: Lethal Lounge
    • Dragan Vojvodić: Persona and Her Shadow
    • FAILINGS
    • Nora Sturges: Things Not Seen
    • Art-N-Stuff IV
    • As Above So Below: Paintings by Robert Zurer
    • SCATTER TERRAIN
    • Art-N-Stuff III
    • WAYFARERS - what we create may save us
      • What We Save May Save Us - EXHIBITION CATALOG
    • Ron Lambert: Objects of Aesthetic Remorse
    • #ejectacollects
    • Panoramas: Ann Tarantino & Paul Manlove
    • Art-N-Stuff II
    • Ronald Gonzalez: Mortal Portraits/Scraps/Grotesques & Other Personas
    • UNSOLICITED SUBMISSIONS
    • Kate Stewart: Theta Resonance
    • Amy June Bates: Checking Out
    • Art-N-Stuff
    • HARD PLACES: Joy Drury Cox & Ben Alper
    • LONG LOST: Anthony Cervino
    • WHAT I ALREADY KNOW: Carley Zarzeka
    • VALEDICTION
  • The Curious Cabinet
    • Jason J. Ferguson: artifact
    • Paul Shortt: Books 2012-2019
    • Lucy H. West: HUNGRY SPACEY DISTRACTED
    • Mitch Shiles: FEAST
    • IN THE PALM OF MY HAND: Ronald Gonzalez
  • ABOUT
  • contact

Ron Lambert: Objects of Aesthetic Remorse


Artist Ron Lambert is inspired by the American Sublime, particularly the history of Western expansion and the notion of Manifest Destiny. He is drawn to nineteenth-century landscape paintings, but questions the idea of how visions of locational identity compel a sense of ownership or protection. In looking to the past, he recognizes the that our present culture moves at an exhausting pace. Lambert creates objects that ask the viewer to remain still, even though the passage of time cannot be stopped. In juxtaposing images of nature with constructed objects, he reflects on efforts to control the environment, both natural and man-made. With imagery of places we want to be, and places we try to forget, his work can be understood as a collection of mementos of past ill-won and futile struggles.

 

Working mainly in video and sculpture, Ron Lambert investigates the intersection between psychology and the environment. Ron has shown in galleries nationally, including the Urban Institute for Contemporary Art in Michigan, the Blue Star Contemporary Art Museum in San Antonio, the Center on Contemporary Art in Seattle, the New Britain Museum of Art in Connecticut, and The Sculpture Center in Cleveland, Ohio. His videos have been screened internationally, including the Crosstalk Video Festival in Budapest, Hungary, CICA in South Korea and the Sanluan Yishu project in Beijing, China. His work is in the Vascovitz collection, the Swedish Medical Center, and the collection of the Tacoma Art Museum. Ron is a founding member of the COOP collective in Nashville, TN. He received his MFA from the School of Art and Design at Alfred University, and his BFA from the University of Connecticut. Ron is currently an assistant professor at Bloomsburg University in Pennsylvania.

 

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