Museum of Contemporary Art Vojvodina, Novi Sad
The performance is based on (self) reaction and visual communication with the audience. As a transfer of that communication, the only prop that the artist uses is a mirror. During the action, the artist occupies vertical sculptural positions through which he suggests strength and vulnerability at the same time. According to the theory that the microcosm is the reaction of the macrocosm, the artist asserts that man and the universe are in the mutual position of two mirrors. The mirror, in addition to providing the possibility of reaction in the direction of the audience, becomes a threat not only to (self) cognition of imperfections and end, but also a physical threat of destruction.
In the last position he occupies, the artist allows the possibility of breaking the mirror with the various connotations that the epilogue implies, leaving the end of the performance to pure coincidence, destruction, or survival, which he no longer influences or controls.